Does this sound familiar? It’s the end of a long painting session and you’re thinking “I’m really pleased with this one”. You place it on the wall, throw some light on it and admire it. Even your dreams are filled with admiration for what you have created. Then the next morning or perhaps a week later a sinking feeling overcomes you. Maybe you see obvious mistakes or maybe you just know that something is not right. Even worse, You might begin to question whether You love it or hate it.
Beware the inner critic for it can land some pretty good punches. So much so that it might cause us to place a perfectly good painting in the reject pile. Or it may cause us to place layer upon layer of revisions to the canvas until all of the original magic is gone. In this post I’m featuring a painting that could have suffered the same fate. This painting was one of the first starts in my “Super Moon Winter Adventure Series” yet it was the last to be completed and signed. As it turns out, each revision to this piece was made with confidence thanks to a shiny new tool that has become central to my process, the iPad. I’d like to share with you three ways that I’m using the iPad in my workflow.
I use my iPad as a sketch book. I first learned how to use several painting applications on an early generation iPad. In particular, I learned to favor a program called ProCreate. Procreate is highly intuitive and it didn’t take long to learn how to select canvas shapes, brushes, colors, values, opacity, etc. I’m definitely having more fun sketching and therefor I’m sketching a lot more. I find myself grabbing a half-hour here and an hour there dreaming up compositions in ways that I never knew were possible. I so much enjoy the iPad that I bit the bullet and bought a new iPad Pro with an Apple Pencil. The iPad has allowed me to do my visionary exploration digitally and my painting has become more deliberate and efficient because of it. When the time comes that I want to translate a digital sketch onto the canvas with real paint, I’m much more prepared than I would have been with a simple pencil sketch.
I use the iPad to make revisions to my paintings in progress. It’s not unusual for me to digitally review my progress several times before finishing a piece. I often arrive at decision points in my workflow where I need to establish the size of a tree or person or the placement of a rock or a cabin. In the past I’ve made a lot of those decisions on the fly only to later spend hours making changes, often ending up with a disaster. We’ll call this exercise “Repeal and Replace” ;). Now when I get to that point, I snap a pic of the painting with my phone. That picture magically ascends up in to the cloud, then returns to earth and lands in my iPad where I can open it up in ProCreate. With the Apple pencil in hand I can begin making revisions that make sense. Once I’m done with the revisions I convert to jpeg and use the new image as reference material.
I use the iPad to view reference material. With whatever means possible, I hang the pad on my easel as close as possible to my canvas. Not only do I have access to my sketches and revisions, I have access to all of those photos I saved on purpose to use when the time is right. One of the coolest features of the iPad is being able to magnify the image easily using that pinching and spreading motion with two fingers. I’ll confess right here that I use that feature so often that I occasionally make the mistake of trying to magnify the actual canvas using the same technique…Embarrassing!
If you aren’t already using digital technology in your workflow, I hope this post encourages you to try it. It’s a lot less intimidating than you might think. If you are already using new technology to help you paint better I’d love to hear about it.