In all of my contemplations thus far as a painter, I have come to understand that the introduction of light is the most important element. Light is the top coat, the finisher, and ever so integrated in the story being told. Composition of the large shapes, the establishment of tonality and a focus on the essence of the subject matter are all important, but without light a painting will never be complete.
So how do I go about transforming my results to add light and life to my work? Fortunately, I am enrolled as a student at HKU (hard knock university). At 54, I don’t have time to waste with a more formal education so I scour the world of art through observation and I soak up inspiration like a sponge. I owe so much to the internet and as long as Kim Jong Un doesn’t “take it out” (and I don’t mean to dinner), I will continue to do so. Currently, I’m learning about under paintings and glazings and I’m doing a lot of experimentation in hopes of achieving more vibrant results.
Have a gander at this unfinished work and give my your honest feedback if you will. The foam in the foreground in particular is what I’m struggling with. Do you like the hint of cotton candy? should I transform the hue one way or another?